With this album I wish to illustrate the emotional process I went through while getting into music. Performing for a live audience made me see my music from a new perspective.
Today, it is not just mine anymore; it has shared value amongst all the people who listen, dance to and interact with it.
Can I still recreate the mind-set, revive the emotion I had when composing these tracks?
What was the initial feeling that made me write them?
Since I cannot really recall, it would be great to know what you feel when listening to my music.
Is there a universal response to these sonic stimuli that one may verbalise?
Expressing oneself is putting feelings into words, or here into sounds.
Thus, each of Geplantes Nichtstun's tracks seems to have captured my emotional state at the time.
Do these feelings keep coming across in a timeless manner?
I would like to think you are feeling me, or even becoming a part of me as you are listening to my music.
Just as I did when I wrote them back in the day. And with time, all of us become the fabric of musical transcendence.
Special Thanks to Mario Wagner who illustrated the cover artwork for this album.
credits
from Zeitgitter,
track released August 17, 2021
Mario Wagner | Artwork
A story and a journey from beginning to end, like the other comps in the series. Luscious detail with gentle pacing to be savoured with fine headphones. Angel Figueroa
They’re back, just in time for the weekend. The new one from Justice features Tame Impala, Connan Mockasin, Miguel, and more. Bandcamp New & Notable Apr 26, 2024
Thom Yorke’s for Daniele Luchetti’s film “Confidenza” features rich, rococo compositions bolstered by strings, brass, and more. Bandcamp New & Notable Apr 26, 2024
Explore ambient music from across the globe in drifting and soothing songs on the new compilation from Electric Shapes. Bandcamp New & Notable Apr 24, 2024